Is it better to be an unhappy genius or a happy journeyman?
I’m thinking about Tom Brevoort, beloved/respected editor of Marvel Comics and Alan Moore, genius of writing in general and comic books specifically.
There is no rivalry between these men. The comparison I’m about to draw, and the generalizations I am about to make, come purely from my brain, and the two cups of coffee I’ve had this morning.
Tom
This morning I got the weekly edition of one of my favorite substack’s, Man With A Hat. It’s written by Tom Brevoort, one of the senior editors at Marvel Comics (“Master of the Marvel Arts” as he calls himself).
Each edition Man With A Hat is HILARIOUSLY long and detailed. This is the usual format:
short opening thoughts from Tom,
then answers questions from readers
behind the scene documents from the creation of some comic
list of comics he’s edited that are coming out
a look back at some comic from years ago
a look at an entry of his blog that analyzes old comics issues — WHICH HE ALSO UPDATES IN ADDITION TO HIS SUBSTACK
a few thoughts on non-comics stuff he’s enjoying (especially anime, Doctor Who but really there’s lots of stuff)
And possibly other sections on cool stuff he’s bought, or thoughts on what makes a good cover, etc.
EVERY. WEEK.
I love this Substack.
And I’m a big fan of Brevoort. Here is a man who has found his proper place in the universe. He’s got a ravenous appetite for comic books in general, and of superheroes in particular - and here he is, helping to run Marvel Comics. From what I can tell, he is beloved and respected.
He certainly seems to be really good at his job. Books he edits are fun, accessible, true to the characters without being trapped by continuity. He’s editing the X-Books right now and in general it’s a very friendly, open vibe going on over tthere.
He also enjoys interacting with fans. He appears on many podcasts (including the one I run with my brother Kevin), posts on social media and of course answers tons of questions each week in his Substack.
His personal vibe is bemused, curious and … perhaps most critically… difficult to get a rise out of. He’s got a spoonful of “Well, Actually” in him —- he will correct people who get facts wrong about comics — and knows more than almost everyone. But he doesn’t seem to revel in that. He’s an editor. He just likes stories to be… right.
I think he interacts with fans not just because he enjoys it. I think he sees it as his responsibility to do it. Marvel was built partly on Stan Lee’s ability to connect with fans via his “Soapboxes” in the old letters pages. Tom’s substack is a modern version of that.
Like I said, I’m a fan.
Alan
Then I started thinking about Alan Moore.
Alan is a no-doubt-about-it literary genius. He’s most famous for writing Watchmen but what’s more impressive is the sheer volume of stories he’s made — both in comics and out — and the quality therein. Alan Moore stories almost all contain: narrative feats, fascinating characters, jaw-dropping plots, pitch-perfect parodies of genres, horror, humor and some kind of meta-level puzzle you don’t even know about until 10 years after you’ve read it.
That goes for his ambitious graphic novels (and prose novels) or his work-for-hire Green Lantern stories of the early 1980s. Everything.
It’s amazing.
Is He Happy?
Today I wondered: Is Alan as happy as Tom?
Alan Moore pretty famously quit comics over frustrations with the business side. He was never given ownership of the Watchmen characters, which he was promised (this is open to interpretation, but that’s what I believe). He has asked for his name to come off of some of his works - especially when Marvel or DC reprint them. His name was not in the Watchmen movie or TV show (Moore’s choice).
Recent editions of Miracleman reprints credit “The Original Author” with no mention of Alan Moore. It looks insane.. and hilarious?
But Alan clearly still thinks about comics, or at least the business.
About three years ago, Moore published a 230+ page novella What We Can Know About Thunderman, which was a brutal take down of the people who ran the superhero comics industry from (mostly) the 1950s through the 1970s.
It’s funny, mean and perhaps most of all — THOROUGH.
There’s few real people in the Thunderman story. Instead there’s “stand in” characters. Like “Sammy Blatz” is obviously Stan Lee. And “Massive Comics” is obviously supposed to be “Marvel Comics.” “Thunderman” is “Superman.”
Here’s a list of the characters who seem to be portrayed in Thunderman: (based mostly on this list from Alex Grand with a few adjustments from me:
American Comics – DC Comics
Massive Comics – Marvel Comics
Goliath Comics – Atlas Comics
Punctual Comics – Timely Comics
Banner Comics – Charlton Comics (?)
Sammy Blatz – Stan Lee
Jerry Binkle – Roy Thomas (?)
Brandon Chuff – Len Wein (?) or Nelson Bridwell (?)
Sherman Glad – Gardner Fox
The Streak – The Flash
Mr. Ocean – Aquaman
Moon Queen – Wonder Woman
Omnipotent Pre-Teen Militia – Teen Titans
Esme Martinez – Ramona Fradon
Pete Mastroserio – Dick Giordano
Mimi Drucker – Jenette Kahn
Dick Duckley – George Carragone
United Supermen – Justice League of America
Blinky Comics – Archie Comics
Tombstone Kid – Two Gun Kid
Abnormal Tales – Strange Tales
Journey Into Strange – Journey Into Mystery
Tales of Astonishing – Tales to Astonish
Ormazda – Thor
King Bee – Batman
World’s Best Adventure – World’s Best Comics
Exploit Comics – Action Comics
Thunderman – Superman
Peggy Parks – Lois Lane
Manhunt – Detective Comics
Alarming Adult Reverie – Amazing Adult Fantasy
Freak Force – X-Men
Julius Metzenberger – Mort Weisinger
Jim Lawes – Bill Gaines
Jim Lawes Sr – Max Gaines
SP Comics – EC Comics
Nutcase – MAD
Schuman and Kessler – Siegel and Shuster
Zando – Krypto
Demento – Bizarro
Thunderstones – Kryptonite
The Vindictives – The Avengers
Joe Gold – Jack Kirby
The Unrealistic Five – The Fantastic Four
Felix Firestone – Lex Luthor
Dr. Unrealistic – Mr. Fantastic
John Monster – Ben Grimm
The Tank – The Thing
Insubstantial Girl – Invisible Girl
National Guard – Captain America
Robert Novak – Steve Ditko
Beetle Boy – Spider-Man
David Moskowitz – Paul Levitz
Brothers Brothers – Warner Bros.
Bee Attitude – Batmania
Jimjon – Biljo White
Davis Burke – Dick Sprang
Hooded Vigilante – Alter Ego
The Massive Collector – Rocket Blast Comic Collector
Fishman – Sub-Mariner
Thundermite – Mxyzptlk
Professor Abnormal – Doctor Strange
Disturbing – Creepy
Inappropriate – Eerie
Shaw Magazines – Warren Magazines
margins – Witzend
Slim Whitaker – Wally Wood
Squack – Zap
Buzz – Robin
Caretaker – Guardian
Bee Buggy – Batmobile
Denny Wellworth – Archie Goodwin
Edward Hannigan – Jerry Robinson
Ron Blackwell – Bill Finger
Richard Manning – Bob Kane
Ralph Roth – Marv Wolfman (?)
Cosmax – Galactus
Corpse Clutcher, Necro-Filing Clerk, Morgue Minder – The Old Witch, Crypt Keeper, Vault Keeper
Unbelievable Stories – Amazing Stories
Albert Kaufman – Harry Donenfeld
Sidney Rosenfeld – Jack Liebowitz
Distance – Kinney
Sol Stickman – Julius Schwartz
Hector Bass – Robert Kanigher
Our Unshaven Army – Our Army at War
Thunderland – Krypton
Bernard Essler – Max Fleischer
Zoom Wilson – Flash Gordon
Flip Fraser – Buster Crabbe
Donald Adams – Kirk Alyn
Victor Richards – George Reeves
Zoron – Jor-El
Sir Laurence Olivier – Marlon Brando
Dirk Bogarde – Gene Hackman
Saul Richard – Christopher Reeve
Elaine Merchant – Lois Lane
Lord Varex – Zod
Macropolis – Metropolis
Val Guest – Dick Lester
Brian Ball – Dean Caine
Kate Porter – Teri Hatcher
Asher Tarrant – Tom Welling
Derek Danner – Michael Rosenbaum
Christopher Gent – Brandon Routh
Stephen Beacher – Henry Cavill
Ellie the Escort – Millie the Model
Jackie Berman – Martin Goodman
Frank Giardino – Vince Colletta
The Brute – The Hulk
Miniman and Minimaid – Ant-Man and Wasp
Wendy Dietrich – Flo Steinberg
Massive Pigsty – Marvel Bullpen
Andrew Donald – Alex Raymond
Roy Shaw – Jim Warren
Gene Pullman – Jim Shooter (?)
Glenfield – Riverdale
Bottleneck – Jughead
Dan Wheems - Alan Moore
I think it’s safe to say that thoughts about comics are still sometimes on Alan Moore’s mind. And these thoughts are sour.
What Would Alan Think Of Tom?
Today I wondered — after Tom’s substack arrived in my inbox: what would Alan think of Tom?
See, the other thing about Thunderman is that it doesn’t just go after the unfair corporate practices in comics. It goes after the type of people who run comics. It is particularly vicious about obsessive fanboys.
The adult men in Thunderman, who remain obsessed with the continuity of superheroes, and the integrity of these fictional universes —- they get it pretty good. They come off as emotionally arrested, naive, petty schlumps.
I’m reminded of Dan Clowes old Pussey! stories about fictional superhero comics editor Dan Pussey.
In Thunderman, there’s a Reddit thread where fanboys discussing what they think of recent Thunderman stories. It’s so funny and mean.
A funny thing is I can’t find an excerpt, because when I search for it, all I get are actual Reddit threads of obsessive fanboys talking about Alan Moore!!
Of course it’s not entirely underserved. At least as long as The Simpsons has run, we know well the priggish smug personality of “The Comic Book Guy.”
And Tom looks like what you would probably imagine if I told you to picture a superhero comics editor. The hat, the beard, the t-shirts, the glasses, the spinner rack of comics in the background. Tom is a comics editor straight out of Central Casting.
Even though I do not believe Alan is talking about Tom —- in real life Tom arrived at Marvel after the events Moore is making fun of in his story. Alan may not even know Tom —- though it also wouldn’t surprise me if Alan was a reader of Tom’s Substack!
Certainly, Tom is the KIND of person Alan is making fun of in Thunderman.
Cool Is Not Always Happy
But here’s the thing: Tom is not mockable to me. He’s noble. He’s a guy doing something he’s good at for a company that is really good at doing that thing.
It comes down to this: what’s cool is not always what’s happy. And making fun of the uncool things is sometimes kinda easy pickings, and not really true.Alan is a genius. He’s cool. He’s made cool things.
Tom is an extremely talented and hard-working editor. It’s not the kind of job that invokes descriptions of genius. It’s more journeymen. He’s getting the comics out, and keeping the quality high.
I’m certain the corporate business practices that Alan goes after are vile. I agree with him on that.
But the arrested man-boys on Reddit threads and at conventions? I think they might just be… happy people.
And yes, I’m talking about me.
If I have to pick, Tom every day